"Incredible Hercules," written by Greg Pak and Fred Van Lente, has been named the 7th best comic series of 2008 by Comic Book Resources, the highest ranked Marvel comic book on the list. Here's an excerpt from the article:

Greg Pak and Fred Van Lente took a flagship Marvel book and character and summarily replaced him with a small time Avenger and his teenage sidekick. Surprising everyone, in doing so they created one of the most charming and oddly moving superhero books of the year. - Reviewer Benjamin Birdie

In his "2007 in Review" column at ComicCritique, Adam McGovern has named Greg Pak the Writer of the Year -- and has some very nice things to say about "Hulk" and "Hercules" editor Mark Paniccia. Here's the blurb:

Pak was the one in 2007 to pick up the Grant Morrison banner and prove that crossovers can be art. In the main World War Hulk mini the relentless momentum of Pak’s narrative and the punishing physicality of John Romita Jr.’s bravura visuals conveyed anxieties run amok and real-life war-weariness raised to a hysterical pitch. Pak’s regular Incredible Hulk book was an even more fascinating narrative of the War’s underground factions and captive bystanders, conveying the human cost and psychic shockwaves of conflicts real and fantastic like few other comics of our war-torn decade. The other “fronts” in tie-in titles were almost all as interesting — especially the deranged displaced-persons/profiteer melodrama in Zeb Wells’ Heroes for Hire — and the ramifying followup books shaded the narrative across the genre spectrum, from the sober and humane postwar elegy of Pak’s Aftersmash one-shot to the inventive suspense and moral ambiguity of his lost-platoon Warbound mini to the offbeat insurrection comedy (!) of the Incredible Herc ongoing (!!), an on-the-road (and on-the-run) adventure with Hercules and Amadeus Cho alone against SHIELD in a battle where what’s most at risk is heroism itself (this last one a real-life dream-teamup between Pak and rising auteur Fred Van Lente as co-writer). Every precinct of what I think of as the Paniccia Comics Group — that most original and oddball corner of Marvel’s overall cosmos, under editor Mark Paniccia’s wise dominion — gave its all for the kind of epic that will hopefully become a trend; call it event-garde.